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DeeDee Keel

The Young Rascals 1965

When I started Venice High School in 1965 my girlfriend and I were crazy for the Young Rascals. When they were booked at the Whisky a Go Go we knew we were too young to go so we decided to ditch school and head up to the Sunset Strip in hopes of catching the band as they set up for the show. We were in luck! We found them and followed them a few blocks to their hotel on Sunset.  This was the beginning of our following the band‘s every move over the next two years. We tricked them into returning our phone calls and inviting us to their hotel rooms. They were always so disappointed when they realized it was two under aged girls but always allowed us to hang out. One of the last times we saw the guys was at the Century Plaza Hotel in 1967 (my photo with Felix Cavalieri was taken there).  I even named my first child Amy after Eddie Brigati’s girlfriend Amy Steele, a beautiful model, who so nicely tolerated the antics of her boyfriend’s little groupies!

I began to hang around the Whisky so I could listen to the bands and catch a meeting when they loaded in equipment.  Eventually my girlfriend was hired to run the ticket booth and I was asked to be the secretary of the owner Elmer Valentine. I was there from April 21, 1971 until late 1983; my girlfriend is still working for the club…


The Lost Souls

The Lost Souls from Monterey Park, California played up and down the Sunset Strip, and were regularly featured along with many of the era’s most fondly remembered bands. They did share the distinction of performing with The Doors and, at that gig was paid more than The Doors.

January 13, 2013 Billy Doherty Recalls the Lost Souls

The Lost Souls did start in a garage in 1964 in Monterey Park, California. There were five starting members, all friends who lived in the same area. All were under 21:
Tony Leon - rhythm guitar
Kent Henry - lead guitar
Mason Hanna - bass guitar
John Burrows - drums
Skip Schrieber - lead vocal and harmonica

One of the first gigs the band got was to fly to Salt Lake City and play with Sonny & Cher. They then started to play clubs regularly around Hollywood, including Bido Lido's, The Brave New World, P.J.'s., The London Fog, and The Sea Witch . These were the early days for rock and roll. On a break between sets at the Sea Witch, we went about a block away to stand outside The Trip to listen to a couple songs by The Lovin’ Spoonful, and Bob Dylan was standing outside listening. Then at 2 am all the bands would congregate at Canters, where it was not uncommon to see Phil Spector walk in with a Rolling Stone.

We were soon managed by Ike and Tina Turner's manager, Ann. We would rehearse at their house in Baldwin Hills where Ike was always there rehearsing with the Ikettes.

Vietnam appeared and Mason, Tony and John all got drafted. I replaced Mason on bass. Mickey Wells replaced Tony and Bobby Siebenberg replaced John. Billy, Mickey and Bobby were all from Glendale, California.

We won the battle of the bands at The Hullabaloo. Our prize was to play a week with P.J Proby. We later shared billing with The Doors for four days at the Brave New World. Nobody knew who they were at that time. The bands would get paid by splitting the door money, and I remember on Tuesday night we made $3.00 each and they made $2.00 each.

We shared these local clubs with other Hollywood bands : Love, The Sons of Adam, Iron Butterfly, The Eastside Kids, The Seeds, The Leaves and many others. All bands in Hollywood would pretty much make the tour around town from club to club on a regular basis. There were times we made $60 each a night which was big money back in those days for a 20-year-old.

When the band broke up, the guitarist, Kent went to play for a hot three-piece band called Fat and then later played lead for Blues Image and on their hit "Ride Captain Ride". He later played for Steppenwolf on their last albums . Bobby moved to England where he met Super Tramp who were forming and he became their permanent and only drummer. He changed his name from Bobby Siebenberg to Bob C. Benburg. Mickey never left music. He took up playing pedal steel and moved to Jackson Hole where he was in the house band and worked at The Cowboy Bar for years .

I met a talented couple and formed a band with all original material called Ole Blue, produced by Lou Adler. We played good venues, a benefit of having a named producer , at the Anaheim Convention Center with John Mayall and again with Spirit. We were also booked into The Whiskey and The Troubadour. The couple and I lived in Topanga Canyon in a large lodge house and I remember nights where the guitarist and drummer of Three Dog Night and Jimmy Griffin from Bread would come to jam. I never left music after switching to mostly piano 40 yrs. ago and compose documentary music and play solo piano . Those were great times and it was certainly an era that unfortunately cannot be duplicated in the same way.



Greg Lawrence remembers Mark Anthony of The Hollywood Stars

I played bass and lived with Mark Anthony in Phoenix, Arizona in a trailer park at 28th and VanBuren across from a Circle K where his dad had a sign shop. I met Mark when I moved to Phoenix from SoCal in Spring 1986, through viewing an ad he had for Platinum Recording Studios. He had an ad in the local entertainment paper where he was holding up the BC Richguitar ("Inspiration is my BC Rich" ad) that was given to him by BC Rich company along with a Music Man RD50 amp
and one of his gold records.

The first day I met him we had a conference inside his "Camper Van Beethoven" as he called it, a Volkswagen Camper Van with the top popped up, and lined all around it was his collection of Gold Albums. We ended becoming friends, musical partners for a short time and roomates, sharing a metal trailer that was only equipped with a "swamp cooler" for air conditioning. By 11:00 in the morning the temperature would start climbing to around 100 degrees.
Mark was 35-36 years old at that time and I was 26. I ended up playing bass for him and we did a few gigs while together.

We hung out at Pantheon Studios and worked as the Mark Anthony Project picking up a drummer who was from New York, at that time he was writing "The Stranger" and did some video film tests. We also did his song "Put Your Love On Ice". We did a gig with John Cale and he told me to play the bongos and then he proceeded to call me "Bongo Love Child" as a joke. I still have a photo of us in the trailer with those red sparkle bongos and Yamaha guitar. I was so swept away with everything that I sold my keyboard, portastudio and some other gear to rebuild Mark's Volkswagen camper-van and get him a ticket back to Hollywood where he had a meeting with a friend at Cherokee Recording Studios.

To make a long story longer, Mark and I had business deals and he put his BC Rich guitar up for collateral along with that Music Man amp and took off to try and get a deal. I eventually went back home broke and busted, but with a BC Rich guitar and that amp! I borrowed his brother's car and went to the swap meet that was held every week at the Greyhound Dog Track, where previously Mark had gambled our last $500 and lost it all, but the dogs were coming in very close! Mark knew the track well.

After selling my bass rig, a 1938 Gibson EH150 amp for $60.00!!! and whatever else I could get, I took Ken's car (his brother) bought a plane ticket and went to the Holiday Inn for a nice stay before going back home. I duct taped the two guitars together and shipped my amps by freight and left Ken's car in the parking lot and took a taxi to the airport. I am sure Ken thought his car was stolen, but I sent him word before I left and later sent him the key to the storage locker where I left Mark an acoustic guitar, a mini xylophone and a bunch of other crap.

There are just tons of stories where we would go into Denny's for food, neither of us having any money whatsoever, and somehow, with the use of his smile, a small tape player with headphones and some press photos, we would end up getting the waitress to pay for the bill by making a donation to the "Mark Anthony Project." - We did all kinds of "hustling" just to get by, some I care not to mention!

Mark was a kind and caring person. I remember one time I wanted some herb because I didn't drink, and he came back with some for me from a friend. (He didn't smoke.) To Mark there was two kinds of dope…our dope and stripper dope! Another time I took a bible that was in my truck (who I sold to Ken) and threw it on the ground out of disgust, and Mark picked it up and said, "Don't do that" and proceeded to tell me a story about how he went to a party at Linda Blair's house, and while taking a shower, some "entity" wrote a weird message in the fogged up mirror.

Another time he told me about almost getting caught while "being with" Don Henley's old lady while Don was coming in the front, he was going out the back! Many stories and wild evenings. It was the high time and the low time in my life all at once.

From what I have heard, he was in SoCal when Garth Brooks was the biggest thing in the world, and he heard Garth say in an interview "King Of The Night Time World is my favorite song" and immediately he packed up everything and moved to Nashville where he became known as "The KISS Cowboy." In addition to Hollywood Stars, Mark also wrote "Escape" - Alice Cooper Welcome To My Nightmare" / "Crystal Nights- Eric Burdon" / A song off of 3 Dog Night album, A song for Lita Ford, He showed me the cancelled check where he sued Bachman Turner Overdrive for stealing one of his songs and releasing it in Canada.

I remember co-writing a song, but more so, I sat there and scribed down words while he strummed and let his muse flow..in that hot metal trailer in Phoenix. One day an old nemesis came and robbed me at gun point in that sign shop. Mark was freaked out and grabbed his father's shotgun but when he made it back,
they had already left stealing my bass

guitar and a 4-track reel-to-reel recorder. I still have his/my guitar, though I dropped it in St. Louis one night and had to have the neck repaired. The amp was sold several years ago as it needed major rebuilding. I played that guitar in front of 50,000 people in 1991 at a festival. I did ask Mark one day, "What happened to it all?" - He simply replied, "Most people dream about it, whereas I went out and lived the dream" and spent every penny never looking back."

R.I.P. my friend Mark "Anthony" Warner, Eighth Power Music.
Greg Lawrence
gregorylawrence@hotmail.com
January 23, 2010
Photo's available on Faces 4-See January 25, 2010


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